'We Were the First Punks': The Female Forces Revitalizing Community Music Hubs Throughout Britain.

Upon being questioned about the most punk gesture she's ever accomplished, Cathy Loughead responds instantly: “I performed with my neck broken in two places. Not able to move freely, so I decorated the brace instead. That was an amazing performance.”

Cathy is a member of a expanding wave of women redefining punk music. As a new television drama focusing on female punk broadcasts this Sunday, it reflects a scene already blossoming well past the television.

The Spark in Leicester

This energy is most intense in Leicester, where a local endeavor – now called the Riotous Collective – set things off. She joined in from the beginning.

“When we started, there were no all-women garage punk bands locally. Within a year, there seven emerged. Today there are twenty – and increasing,” she stated. “Collective branches operate throughout Britain and worldwide, from Finland to Australia, laying down tracks, performing live, taking part in festivals.”

This surge doesn't stop at Leicester. Across the UK, women are taking back punk – and transforming the scene of live music along the way.

Breathing Life into Venues

“Various performance spaces around the United Kingdom thriving due to women punk bands,” said Loughead. “Rehearsal rooms are also benefiting, music teaching and coaching, recording facilities. This is because women are occupying these positions now.”

They are also transforming the crowd demographics. “Female-fronted groups are playing every week. They attract more diverse audiences – attendees who consider these spaces as protected, as for them,” she remarked.

A Movement Born of Protest

A program director, from a music youth organization, commented that the surge was predictable. “Ladies have been given a vision of parity. Yet, misogynistic aggression is at epidemic levels, extremist groups are exploiting females to peddle hate, and we're gaslit over topics such as menopause. Females are pushing back – by means of songs.”

Toni Coe-Brooker, from the Music Venue Trust, notes the phenomenon altering regional performance cultures. “There is a noticeable increase in varied punk movements and they're contributing to local music ecosystems, with local spots scheduling diverse lineups and establishing protected, more inviting environments.”

Mainstream Breakthroughs

Later this month, Leicester will host the inaugural Riot Fest, a three-day event featuring 25 female-only groups from the UK and Europe. Recently, Decolonise Fest in London honored ethnic minority punk musicians.

And the scene is entering popular culture. One prominent duo are on their debut nationwide tour. Another rising group's first record, Who Let the Dogs Out, reached number sixteen in the UK charts recently.

One group were shortlisted for the a prestigious Welsh honor. Another act earned a local honor in 2024. A band from Hull Wench performed at a notable festival at Reading Festival.

This is a wave born partly in protest. Within a sector still plagued by sexism – where all-women acts remain less visible and live venues are shutting down rapidly – female punk bands are creating something radical: a platform.

No Age Limit

In her late seventies, Viv Peto is proof that punk has no expiration date. Based in Oxford percussionist in horMones punk band started playing just a year ago.

“At my age, there are no limits and I can pursue my interests,” she said. A track she recently wrote features the refrain: “So yell, ‘Who cares’/ This is my moment!/ This platform is for me!/ At seventy-nine / And in my top form.”

“I love this surge of senior women punks,” she said. “I couldn't resist during my early years, so I'm making up for it now. It's fantastic.”

A band member from her group also mentioned she was prevented to rebel as a teenager. “It's been important to release these feelings at this point in life.”

A performer, who has toured globally with various bands, also views it as therapeutic. “It's about exorcising frustration: being invisible in motherhood, as an older woman.”

The Power of Release

Similar feelings led Dina Gajjar to form Burnt Sugar. “Performing live is an outlet you were unaware you lacked. Girls are taught to be compliant. Punk rejects that. It's loud, it's flawed. This implies, when negative events occur, I say to myself: ‘I'll write a song about that!’”

But Abi Masih, a percussionist, remarked the punk lady is all women: “We're just ordinary, professional, talented females who enjoy subverting stereotypes,” she said.

Maura Bite, of the act the band, concurred. “Ladies pioneered punk. We had to smash things up to be heard. This persists today! That fierceness is part of us – it feels ancient, instinctive. We are incredible!” she stated.

Defying Stereotypes

Some acts conform to expectations. Band members, involved in a band, aim to surprise audiences.

“We don't shout about certain subjects or swear much,” noted Julie. The other interjected: “However, we feature a bit of a 'raah' moment in every song.” She smiled: “Correct. But we like to keep it interesting. The latest piece was regarding bra discomfort.”

Heidi Harper
Heidi Harper

A passionate writer and life coach dedicated to empowering others through insightful content.