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The pair of releases shared up to now by the group Ashnymph resist simple labeling: the band's own tag of their music as “subconscioussion” leaves listeners guessing. Their initial track Saltspreader blended a heavy mechanical drumming – member Will Wiffen has at times appeared on stage in a tee that bears the logo of the trailblazing band Godflesh – with retro-style synths and a riff that partly brings to mind the enduring garage rock anthem I Wanna Be Your Dog, before melting into a barrier of unsettling sound. Its intended effect, the group has mentioned, was to evoke motorway travel, “the grinding circulation of vehicles all day long over vast spans … orange lights at night”.

Its follow-up, Mr Invisible, sits somewhere between nightclub tunes and unconventional alternative rock. Firstly, the cut's tempo, layers of hypnotic electronics, and lyrics that appear either hallucinogenically distorted or spellbindingly cyclical in a way that evokes Dubnobasswithmyheadman-era Underworld all indicate the dance space. Alternatively, its intense performance-style shifts, near-anarchic character and fuzz – “getting that crisp distortion is a personal mission,” Wiffen noted – set it apart as clearly a group effort rather than a lone electronic artist. They've gigged around the self-made music community of south London for less than a year, “anywhere that will turn the PA up loud”.

But each is thrilling and unique – from each other and contemporary releases – to spark curiosity about what Ashnymph might do next. Regardless of the form, on the evidence of Saltspreader and Mr Invisible, it’s probably not dull.

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